2019中国（广州）国际纪录片节共收到来自全球五大洲130个国家与地区的3441部作品参评参展，再创历史新高。

通过初评、复评的层层筛选，评选出46部纪录片入围金红棉优秀纪录片评选终评环节。

中国（广州）国际纪录片节金红棉优秀纪录片评选项目共设置：

优秀纪录长片（1部）

优秀纪录片导演（1名）

优秀纪录短片（1部）

优秀系列纪录片（1部）

优秀首作纪录片（1部）

优秀艺术表现纪录片（1部）

评审团特别推荐纪录片（1部）

中国故事优秀纪录长片（1部）

中国故事优秀纪录短片（1部）

中国故事优秀系列纪录片（1部）

优秀新媒体纪录片（1部）

优秀国际制作纪录片（1部）

优秀中外联合制作纪录片（1部）

优秀国际传播中国纪录片（1部）

2019中国（广州）国际纪录片节

金红棉终评评审团

（按姓名拼音排序）

梁红，复旦大学新闻系毕业，高级编辑，现任**广播电视总台央视纪录频道总监。其导演和任制片人的长纪录片作品曾获多个国内外奖项，作品包括《达巴在歌唱》《爱的变奏》《王品兰**记》《进城》等。梁红还创办过《讲述》《心理访谈》等多档深刻影响过中国电视文化生态的栏目，并率团队自主原创制作了大型文化类节目《中国诗词大会》等多个品牌项目，**多项电视大奖。梁红曾策划制作了“寻找最美乡村教师”“寻找最美乡村医生”等系列“最美”节目品牌，**社会广泛赞誉。梁红担任**广播电视总台央视纪录频道总监以来，提出“中国故事，国际表达，中国价值，全球视野”的国际化创作理念，并推出了《航拍中国》《如果国宝会说话》《大太平洋》等精品力作。

梁红个人曾荣获“全国百佳制片人”、“创新创意制片人”、第一届“感动广电激情-奉献十大人物”、**电视台“巾帼建功”等荣誉称号。

Graduated from the Journali** Department of Fudan University, Mrs. Liang Hong is now a senior editor and the Director of China Media Group Documentary Channel. Many of the works she has produced, including Dabbah Is Singing, Variine of Love, Wang Pinlan’s Migration, and Into the City, have won awards at national and international documentary festivals. She has also created an impressive list of programs that have had a profound impact on China’s TV industry, such asStory and Psychological Interview. She headed the team that developed and produced major cultural programs, such as Chinese Poetry Contest, which received a number of TV awards and great social acclaim. Liang Hong is the mastermind and producer of Looking for the Most Beautiful …series, including Looking for the Most Beautiful Village Teachers and Looking for the Most Beautiful Village Doctors. In 2016, she put forward the idea of ’Telling Chinese stories in an international way and expressing Chinese values with a global view’, which has guided the production of a number of outstanding documentary series. Among them are Aerial China, Every Treasure Tells a Story, and Big Pacific. With her great contribution, innovative perceptions, and global view, Liang Hong has won great recognition in China’s TV industry. She has received many honorary titles such as the ‘Top 100 Producers of China’, ‘Top 10 Contributors of the State Administration of Radio, Film and Television’, ‘CCTV Women of Excellence’, etc.

澳大利亚纪录片大师鲍勃·科诺利是一位作家、电影摄影师和纪录片导演，曾**奥斯卡提名并多次**国际各大节展奖项，包括IDFA阿姆斯特丹纪录片电影节、法国真实电影节、日本山形国际电影等。

科诺利与罗宾·安德森共同制作了享誉世界的纪录片三部曲——《第一次**》《乔雷伊的邻居们》和《黑色的收获》。这三部纪录片在巴布亚新几内亚拍摄了数十年，荣获30余个国际奖项，其中《第一次**》**了奥斯卡**纪录片奖提名。在科诺利的六部纪录片作品里，有五部曾**澳大利亚纪录片**奖项——澳洲电影节（AFI）**纪录片奖。

作为一名作家，科诺利已出版了三本书籍，第四本也正在创作之中。他同时拥有澳大利亚电影电视广播学院授予的荣誉文学硕士学位。

Bob Connolly is an Australian documentary master, writer, and cinematographer. He was nominated for Oscar and won multi awards of international renown film festivals such as IDFA, Cinema du Reel, Yamagata, IDA, etc.

Connolly is best known internationally for his documentary trilogy he created with Robin Anderson: First Contact (1982), Joe Leahy's Neighbours (1989) and Black Harvest (1992). Set in Pa** New Guinea and shot over a decade, these three films won 30 international awards, including an Oscar nomination for First Contact. Five of Connolly's six films won the AFI Award - Australia's domestic version of the Oscars - for Feature Documentary.

Connolly holds an MA Honours degree from the Australian Film TV and Radio School and has published three books. He is now engaging in his fourth book.

高长力，现任国家广播电视**宣传司司长。北京广播学院（现中国传媒大学）文艺编辑系本科毕业，北京广播学院新闻研究所硕士研究生毕业。曾在黑龙江**广播电台、中国消费者报、**电视台《东方时空》担任记者编辑编导。1994年12月首届国家公务员招考考入广播电影电视部总编室（现为国家广播电视**宣传司），先后任副处长、处长、助理巡视员、副司长、司长。2004年5月至2008年11月，在北京奥组委任媒体运行部副部长、北京奥林匹克转播有限**董事，赛时兼任国际广播中心常务副主任，主要负责北京**会电视转播和媒体服务工作。陆续在业内报刊**发表《在同质化与差异化的十字路口》等专业文章100多篇，著有《电视不是疯人院》等专著，主持了《广播电视节目播后监管研究》《广播电视节目**研究》《广播电视宣传管理创新研究》等多项国家广播电视**的社科课题研究。

Gao Changli is the Director of the Publicity Affairs Department of the National Radio and Television Administration, who graduated from Beijing Broadcasting Institute (now Communication University of China) with a bachelor’s degree in literature and art editing, and a master’s degree from Journali** Institute of Beijing Broadcasting Institute. He has worked as a reporter, editor and producer director for Heilongjiang People’s Radio Station, China Consumer Journal, and CCTV Oriental Horizon. In December 1994, he was admitted to the Editor Office of the Ministry of Radio, Film and Television (now the Publicity Affairs Department of the National Radio and Television Administration) by the first national civil servant recruitment examination, and has served as Deputy Director General, Director General, Assistant Inspector, Deputy Director and Director. From May 2004 to November 2008, he served as the Deputy Director of the Media Operation Department of the BOCOG, the President of Beijing Olympic Broadcasting Co., Ltd., who also served as the Executive Deputy Director of the International Broadcasting Center at the time of the Games, mainly responsible for the broadcasting and media service of the Beijing Olympic Games. He has published more than 100 professional articles such as At the Crossroad of Homogenization and Differentiation on newspapers and journals in the industry, and has written monographs such as Television Is Not a Madhouse. He presided over Research on Post-broadcast Supervision of Broadcasting and TV Programs, Research on Broadcasting and TV Program Standards, Research on Innovation of Broadcasting and TV Publicity and Management and other social science topics of the National Radio and Television Administration.

国家一级导演、国际评委、国家广电**专家库成员、**网络司视听节目评审专家，中国影视艺术协会副**，中国电视艺术家协会纪录片学术**会副**。个人代表作有《空山》《平衡》《背篓电影院》《忠贞》等。彭辉先后荣获中国电视金鹰奖20年突出成就奖、中国电视纪录片学术奖10年特别成就奖、全国德艺双馨电视艺术家、全国百佳新闻工作者、中国改革开放四十年40位纪录人物、中国十大年度优秀纪录片导演、四川省十佳电视艺术工作者、成都市十大杰出青年等荣誉称号。33年来，彭辉先后有50余部作品荣获国际、国内奖项150余个；有8部代表作品被数十所知名高校列为教学观摩片，被**电影资料馆收为“馆藏作品”，供电影学者研究；被香港中文大学“特别收藏”。

He is a director at the national level, an international judge, a member of the expert library of National Radio and Television Administration (NRTA), an audiovisual program evaluation expert of the Network Department under the NRTA, the vice chairman of China Cinema and Television Arts Association, and deputy secretary-general of the Documentary Academic Committee of China Television Artists Association. His personal masterpieces include Kongshan, Balance, Cinema On Back, etc. Peng Hui has won the 20-year outstanding achievement award of Golden Eagle Award, and the 10-year special achievement award of Chinese TV Documentary Academic Award, and was awarded many honorary titles, such as the national TV artist pursuing both professional excellence and moral integrity, the country’s top 100 journalists, the 40 documentary figures in China’s 40 years of reform and opening-up, China’s top 10 excellent documentary directors, Sichuan Province’s top 10 television artists and Chengdu’s top 10 outstanding young persons in succession. Over the past 33 years, Peng Hui has won over 150 international and domestic awards for his more than 50 works. His eight representative works have been listed by dozens of well-known universities as teaching and viewing films. They have been taken as ‘collections’ by the Taiwan Film Archive for study by film scholars and as ‘special collections’ by the Chinese University of Hong Kong.

谭奋博，高级编辑，现任中国（广州）国际纪录片节组委会**，广东省广播电视局二级巡视员。曾任广东省新闻出版**电视剧处处长、广东省广播电视协会**。擅长广播电视理论研究，主要著作和文章有：《岭南广播电视文化的特色及**》《在市场中跨越——广东广播电视20年的**和思考》《**专业化——广播与时俱进的必由之路》《电视内容产业链的解构与建构》《影视：广东创意产业**突破口》等。曾主持《广东电视内容建设与产业**研究》《广东民营影视**研究》等重点研究课题;曾主编广播电视学术刊物《岭南视听研究》、图书《广视传媒攻略》等。是中国新闻奖一等奖**者、全国广播电视著作评选一等奖**者、新中国新闻事业50年百篇优秀论文奖**者，曾当选全国“十佳百优”广播电视理论工作者。

Tan Fenbo, Senior Editor, is Secretary-general of Guangzhou International Documentary Film Festival, and also Deputy Director-general of Guangdong Administration of Radio and Television. Tan served as Director of TV Series Management Division of Guangdong Administration of Press, Publication, Radio, Film and Television, Secretary-general of Guangdong Association of Radio and Television. Tan has done well in theoretical research of radio and TV with his publication of books and articles such as Features and Development of Radio and TV Cultures in the South of the Five Ridges, Crossing in the Market-Development and Thinking of Guangdong Radio and TV in the Past 20 Years, Frequency Specialization: the Inevitable Way for Radio to Keep Pace with the Times, Deconstruction and Construction of TV Content Industry Chain, Film and TV: Breakthrough for Development of Guangdong Creative Industry, etc. Tan once directed key research topics such as Guangdong TV Content Construction and Industry Development and Research, Research on Development of Private Film and TV Industry in Guangdong, etc. Tan also edited radio and TV academic journals such as Audiovisual Research in the South of the Five Ridges, books such as Guides on Guangdong TV and Media. He is the first-prize winner of ‘China News Award’ and ‘National Radio and TV Works Selection’, the winner of ‘Top 100 Papers on Journali** in 1949-1999’ and ‘National Top 10 Theoretical Workers of Radio and TV’.

托默·贺曼是一位以色列纪录片大师，曾在多个知名国际电影节上**过诸多奖项和提名。在二十多年的纪录片职业生涯里，他所拍摄的纪录片大多聚焦于以色列的少数族群，给观众带来极致的文化体验。作为纪录片行业中的先锋导演，他的作品在全球各地院线展映与发行。

他执导的影片诸如《纸玩偶》（2006）《嘎嘎先生》（2015）《谁还会来爱我》（2016）等，曾在柏林国际电影节、阿姆斯特丹国际纪录片节（IDFA）、多伦多国际纪录片电影节（HotDocs）和洛杉矶电影节（LAFF）等国际电影节上大放光彩并均斩获大奖。托默在以色列的多所电影学院里担任教授，同时有多个纪录片项目正在制作之中。

Tomer Heymann is a documentary master in Israel, who has won many awards and nominations at a number of international film festivals. His films have been theatrically released around the world, making him one of the documentary film industry's leading directors. /In his professional career of over 20 years, many of his documentaries focus on the minorities in Israel, which brings extraordinary cultural experiences to audiences.

The documentaries he directed, such as Paper Doll (2006), Mr.Gaga (2015), Who’s Gonna Love Me Now (2016), etc, have won a lot of prizes at Berlin International Film Festival, Hot Docs, IDFA and LAFF. Tomer teaches at several film schools in Israel, and is currently engaged in a number of ongoing projects.

维克拉姆·贾雅蒂是一位杰出的印度裔美国纪录片电影制作人，其导演与制作的作品在国际上屡次斩获大奖。其中，他参与制作的两部电影：1996年**票房成功的《一代拳王》和2005年的《小小摄影师的异想世界》，都**了奥斯卡**纪录片长片奖。除此之外，维克拉姆的导演作品《马斯蒂克岛的主人》《游戏结束：卡斯帕罗夫和计算机》《林肯》等**过圣丹斯电影节的特别评审团奖、英国电影学院奖和国际纪录片协会奖的提名等诸多国际奖项。贾雅蒂目前在英国伦敦大学学院担任电影研究的导师。

Vikram Jayanti is an excellent Indian-American documentary filmmaker responsible for a number of well known full-feature documentary films. Two of his films, for which he has production credits, have received Academy Awards for Best Full-Feature Documentary; the 1997 blockbusterWhen We Were Kings and 2005's Born Into Brothels. His other work including The Man Who Bought Mustique, Game Over: Kasparov and the Machine, Lincoln and so on, have also won a number of other awards, including the Special Jury Prize at the Sundance Film Festival, BAFTA Awards and have been nominated for IDA. Jayanti is currently a Film Studies tutor at University College London.

职业纪录片导演，曾经做过十年记者。2001年开始制作纪录片，其作品百余次在世界各地电影节入选获奖。包括圣丹斯电影节评委会特别奖、亚太电影大奖**纪录片奖、香港国际电影节**纪录片奖，等等。

Zhou Hao is a documentary filmmaker who has worked as a journalist for more than a decade, producing documentaries since 2001. Zhou’s works have won awards and been screened at film festivals around the world more than a hundred times. His 2014 film Cotton won Best Documentary at the 51st Golden Horse Film Festival. Zhou’s 2015 film, The Chinese Mayor, won the Special Jury Award for Unparalleled Access at the 31st Sundance Film Festival, as well as Best Documentary at the 9th Asian Film Awards, and won Zhou the Best Documentary award for the second time in a row at the 52nd Golden Horse Film Festival.

中国传媒大学电视与新闻学院教授、博士生导师、电视节目研究所所长，担任巴黎二大客座教授、澳门科技大学**教授、电影管理学博士生导师。现为中国电视艺术家协会社会机构影视工作**会常务副会长、中国广播电视学会纪录片工作**会常务理事、及**广播电视总台纪录频道学术顾问。有多次担任国内外电影节评委**，包括德国法兰克福金树国际纪录片节终评委、北京国际电影节纪录片单元专家评审团**、北京国际电影节天坛奖选委、四川国际电视节“金熊猫奖”评委、中国电视金鹰奖(纪录片奖项)评委、中国电视艺术家协会多个奖项评委、班夫中国奖评委等。其所担任监制、总策划、艺术顾问的多部大型电视系列片分别**多项国内外纪录片大奖。

Mrs. Zhang Yaxin is a professor and doctoral supervisor at the School of Television and Journali** and the director of the Television Program Research Institute of the Communication University of China, who has served as the visiting professor of Université Paris 2 Panthéon-Assas, adjunct professor of Macau University of Science and Technology, and doctoral supervisor of film management. She is now the Executive Vice President of the Committee for Film and Television Work of the Social Organizations of China Television Artists Association, executive member of the Documentary Working Committee of China Radio and Television Association, and academic consultant of the CCTV Documentary Channel. She has served as a judge of international and domestic film festivals at home and abroad, including one of the final judge of the Golden Tree International Documentary Festival in Frankfurt, Germany, the president of the expert jury of the Documentary Section of the Beijing International Film Festival, a judge of the Tiantan Awards of the Beijing International Film Festival, a judge of the ‘Golden Panda Award’ of the Sichuan International Television Festival, a judge of the China Television Golden Eagle Award (documentary award), a judge of many awards of the China Television Artists Association, a judge of the Banff China Award, etc. Many full-length TV series in which she serves as the supervisor, chief planner or art consultant have won a number of domestic or foreign documentary awards.